Reviewed by Van T. Tran
- Paramount, widescreen 1.66:1, languages: English DD 5.1 & Surround [CC], French Dolby Surround, subtitles: none, single side-single layer, 24 chapters, 2 theatrical trailers, rated PG, 103 min., $29.99, street date 1/26/99.
- Directed by Peter Weir. Starring Jim Carrey, Ed Harris, Laura Linney, Natascha McElhone, Noah Emmerich, Holland Taylor.
"From the network that never sleeps - broadcasting live and unedited 24 hours a day, 7 days a week, around the globe...with Truman Burbank as himself, taped in the world's largest studio, one of only two man-made structures visible from space (the other being the Great Wall of China), comes the longest running documentary soap opera in history, now in its 30th great year - The Truman Show!" ---The Truman Show announcer
Truman Burbank has the feeling that he's being watched.
He doesn't know how right he is.
Every second of every day, from the moment he was born, for the last thirty years, Truman Burbank has been the unwitting star of the longest running, most popular
documentary-soap opera in history. The picture-perfect town of Seahaven that he calls home is actually a gigantic soundstage. Truman's friends and family - everyone
he meets, in fact - are actors. He lives every moment under the unblinking gaze of thousands of hidden TV cameras.
Welcome to The Truman Show. The whole world is watching.
Truman's unsettling, darkly funny world is a kind of waking nightmare unlike anything ever previously created on film. This perverse mirror of millennium America
speaks directly to our innermost fears and frustrations. Truman is not only preyed upon by a network of human and electronic spies, he is literally trapped in his own
life, held down and penned in by the surreal existence in which he has been forced to spend every one of his thirty years.
Realizing that he is caught like a butterfly in a jar, Truman determines that his single aim must now be to escape Seahaven no matter what the cost. But he has not yet
reckoned with the power of Christof (Ed Harris), who conceived the show and has produced, directed and supervised it throughout its entire run. Nor has he faced
up to his greatest fears, which may be even more effective than the God-like Christof in keeping him a prisoner in Seahaven.
Blackly comic, yet exhilarating and ultimately inspiring, Truman's story reflects the hopes and anxieties that grip us all as the century lurches toward its close.
The Truman Show came about from the brilliant and complex producer, Christof, winner of an Academy Award for a moving documentary of street people called Show Me The Way To Go Home, when at the age of 29, he sold the concept of The Truman Show to Moses Opperman, President and CEO of the world's largest media conglomerate, The OmniCam Corporation. The company was an overnight success when its camera devices were used by millions to telecast their private lives through the Internet. On television, this type of reality-based telecast is made popular by such shows as MTV's Real World, where the lives of culturally diverse twenty-something are brought in to live together under multi-camera scrutiny, and by The Jerry Springer Show, where guests reveal their most shocking secrets to their partner(s) in front of a live audience. However, unlike those reality-based shows, the difference on The Truman Show is that the main character is blissfully unaware that he is on the air. While it has a few detractors during the course, The Truman Show maintains an overwhelming support by critics and fans alike and evidenced by the numerous nominations and awards. Rex Reid praises it as "one of the most original and provocative show ever produced" and Esquire Fashion as "captivating and divine."
For those discernable readers that have watched the movie or read the Studio Line section, I hope you realize that the facts on the above paragraph are mostly fake (some are from the Introduction by director Peter Weir on The Truman Show: The Shooting Script), and that in a nutshell is what The Truman Show is about. Christof is, of course, a fictious character in the movie as with OmniCam Corporation. If you are a reader who is unaware of the story, you might readily accept what I just presented as a reality.
Screenplay penned by Andrew Niccol (Gattaca), directed by Peter Weir (Fearless, Dead Poets Society), and starring Jim Carrey in a terrific performance, the reality as known to Truman since birth is all fabricated in a giant studio and broadcasted live to the whole world 24 hours a day, 7 days a week. In today's media-saturated world, The Truman Show raises some provocative and interesting issues, but ultimately, as a social commentary or satire, the movie never fully addresses the issues that it raises. The concept is certainly fascinating and entertaining, so much so that I wish the movie could be longer. At only 103 minutes, the characters are under developed and we are not given the oppurtunity to explore the inhabitants in the show or outside of the show. In the end of the movie when the door closed, there wasn't much of a revelation and left me unsatisfied with more questions than answers, and perhaps that's the effect that Peter Weir aims for -- to step out of the boundary and learn the truth for yourself. That might be the case, but the movie could have been much better and that applies to the DVD release also.
On the DVD production, The Truman Show DVD is the first to incorporate animated menu from Paramount and I am really impressed by the design. It's cool to see the blimp goes by during the selection. Thankfully, the audio formats could now be selected during play, previously it could only be done on the menu. The spherical film is presented at the theatrical ratio of 1.66:1 and while it is not 16x9 enhanced, the presentation is perfectly framed and centered. The compression, thought, is a disappointment. On my Panasonic A110 player, the picture exhibits some video noise, strong shimmering on patterns, and even jittering on a few static backgrounds. That's totally unacceptable at this stage and for such a high profile movie. The print also contains few dirt particles. Colors, however, are fully saturated with beautiful shade of hues and accurate fleshtones. Images are sharp and brightness is extremely luminous. Blacks and shadow details are well defined.
The encoded DD 5.1 soundtrack is not particularly impressive and lacks a strong surround presence. The discrete effects are rarely used, but do get involve more aggressively during the storm sequence on the latter part of the movie. Imaging and panning is adequate, but again does not project to a large soundstage. What the soundtrack does have that I really enjoy is the score composed by Burkhard Dallwitz and Philip Glass. It's one of the more eclectic score, combining various styles and elements, and in fact, Philip Glass uses some of the cues from his previous films. Peter Weir describes the selections as what Christof would have chosen. The overall structure retains the intimacy of what you'd expected from a television show. Ranging from a lovely piano concerto by Chopin to a cue of swelling orchestration during the reunion that aims for teardrops. Other times, the heavily synthesized cue is eerily sharp and harsh in reflecting the artificial environment and technology that enslaved Truman. The score was recently awarded the Golden Globe, and while I feel James Horner's Mask of Zorro and George Fenton's Dangerous Beauty would be a better choice, The Truman Show makes for a very interesting experience.
Besides the trailers, Paramount does not include any other supplements and that's quite a shame, The Truman Show would have made an excellent special edition. I would love to hear the commentary from either Peter Weir or Andrew Niccol addressing some of the issues posed in the film. The special effects, production design and cinematography are truly mesmerizing and any behind-the-scenes details would be a tremendous addition. A challenge facing the filmmakers is to create a world where Truman fully accept as real, while we as the audience notice something is amiss in this perfect setting. With repeated viewings, I continue to discover new subtleties in the production that were not so apparent the first time. To achieve the artificial look, cinematographer Peter Bizou saturates the entire setting with high-key lighting to create a hyperreal atmosphere. The design of Seahaven combines a feeling of yesterday's nostalgia and ultra-modern technology for a timeless setting. The digital effects and traditional matte paintings that embellished Seahaven are spectacularly subliminal. Paramount included a few bells and whistles in their latest DVD offerings and hopefully, they will continue to strive and produce a special edition for their high profile titles. In addition to the score, The Truman Show garnered the Golden Globes for Jim Carrey and Ed Harris, and if that is any indication, The Truman Show could have a big showing at Oscar night. Stay tuned...
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