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Martin Scorsese
Robert De Niro, Sharon Stone, Joe Pesci
Writing Credits:
Nicholas Pileggi, Martin Scorsese

A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.

Box Office:
$52 Million.
Opening Weekend:
$9,946,480 on 1616 Screens.
Domestic Gross:

Rated R.

Aspect Ratio: 2.35:1
English DTS-HD MA 5.1
Latin American Spanish DTS 5.1
French Canadian DTS 5.1
Japanese DTS 5.1
German DTS 5.1
Italian DTS 5.1
Castillian DTS 5.1
French Canadian
Latin American Spanish
Supplements Subtitles:
French Canadian
Latin American Spanish

Runtime: 178 min.
Price: $14.98
Release Date: 10/14/2008

• “Moments with” Commentary from Director Martin Scorsese, Actors Sharon Stone and Frank Vincent, Writer Nicholas Pileggi, Editor Thelma Schoonmaker, Producer Barbara De Fina, and Costume Designer Rita Ryack.
• Deleted Scenes
• “Vegas and the Mob” Featurette
• “History Alive” Documentary
• “U-Control” Picture-in-Picture Track


-LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV
-Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver
-Panasonic DMP-BD60K Blu-Ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


Casino [Blu-Ray] (1995)

Reviewed by Colin Jacobson (November 8, 2020)

Across a span of 22 years, director Martin Scorsese and actor Robert De Niro collaborated on eight movies. This culminated with 1995’s gangster epic Casino, their final pairing until 2020’s The Irishman.

Casino starts with its end, as we go to 1983 to see Sam “Ace” Rothstein (De Niro) apparently blown up in a car bomb. Narrated from beyond the grave, we go to flashbacks to see how Rothstein and his best pal Nicky Santoro (Joe Pesci) ran the Tangiers Casino.

A mobster, Rothstein likes the legitimacy of legalized gambling, and the movie details the money laundering and kickbacks that allowed the system to thrive. However, the good times don’t last forever.

Rothstein’s main weakness comes from his love for his girlfriend Ginger (Sharon Stone). The unstable Ginger distracts Rothstein from his work and leads him down paths he’d otherwise avoid.

Also prompted by Nicky’s sloppy gambling habits, Rothstein eventually attracts the attention of the gambling commission. He runs into a mix of problems that ultimately lead to his violent demise.

One can’t help but make comparisons between Casino and 1990’s GoodFellas. Unfortunately, all of these come at Casino’s expense, as Scorsese can’t generate another mob movie with nearly as much charisma as that classic from 1990.

GoodFellas involved you with the characters and then dealt with the minutiae, whereas this one does it backwards. It submerges us in details before we have any clue who the participants are.

And that’s a big mistake. We find tremendously dense exposition at the start, as the film throws an awful lot of stuff at us quickly and early.

The film devotes a great deal of time to explain how Rothstein gets the gig as the casino head, but who cares? It feels like a lot of unnecessary information that simply bogs down the film and threatens to alienate the viewer right off the bat.

In addition, Casino tends to beat various horses to death, as Scorsese reiterates some of the same plot/character points over and over again. Yeah, we know that Ginger’s a charmer – why tell us this ad infinitum?

Casino talks too much and does little to show us the events. As such, we’re stuck with endless exposition but not much visceral to involve us.

Casino simply lacks the focus and self-confidence of GoodFellas. Granted, extremely few movies ever made show the energy and bravado of GoodFellas, but when the same people attempt a spiritual sequel, comparisons become inevitable, and Casino can’t compete.

Even Scorsese’s usually rock-solid musical instincts falter in Casino. Rather than use rock songs to simply suggest a mood, Scorsese makes choices that seem awfully on the nose here.

For instance, we find “Heart of Stone” for Ginger’s intro and “Love Is the Drug” for the messy relationship between Ginger and her scummy pimp ex-boyfriend Lester (James Woods). These selections literally tell the audience what to think.

Despite these flaws, Casino manages to remain a moderately involving drama. However, given all the talent involved, it ends up as a clear disappointment.

The Disc Grades: Picture B-/ Audio B-/ Bonus B+

Casino appears in an aspect ratio of approximately 2.35:1 on this Blu-ray Disc. A mostly strong transfer, a few concerns kept the picture from greatness.

Sharpness largely seemed strong. A smidgen of slightly soft shots emerged, but these remained minor, so the vast majority of the flick looked concise and accurate.

No jagged edges or shimmering occurred, but I thought the image showed some light digital noise reduction. In terms of print flaws, I saw sporadic specks. These weren’t heavy, but they popped up more often than I expected.

Movies shot in Vegas usually show off the vivid neon hues, and Casino followed that trend. The colors were bright and vibrant at all times. These tones offered the movie’s strongest elements, as they consistently looked terrific.

Blacks were deep and tight, while low-light shots demonstrated nice definition and density. Without the print flaws and other small issues, this would have been a strong transfer, but given current Blu-ray standards, it ended up as a “B-“.

The DTS-HD MA 5.1 soundtrack of Casino displayed some issues as well, and the main one stemmed from the erratic localization of narration. While the movie’s dialogue seemed appropriately placed, the narration tended to blend to the sides.

Because everything else popped up in the correct spots, it seemed possible this was done intentionally, but for the life of me I couldn’t figure out why that would be. The strange localization of the narration became a real distraction and was the main issue that cost the track points.

Not that Casino would have made it to “A” territory anyway, as the mix didn’t shoot for the stars. Most of the audio stayed strongly placed in the front, and it stayed with general environmental material. Even with the casino settings and all the violence, there wasn’t a lot that happened here.

The track boasted pretty good movement in the front, but the rears did little more than echo the actions. That became a disappointment due to all the opportunities for lively information. The surrounds occasionally added a little more zing, but I can’t recall any standout sequences.

Audio quality seemed fine. Speech showed a little edginess on a few occasions, but the lines usually came across as clean and distinctive.

Music was an omnipresent element and duplicated the many songs well. They varied due to source materials but mostly sounded clear and full.

Effects contributed some dimensionality, at least during the smattering of louder scenes. Those elements were consistently accurate and concise.

Bass could be slightly tepid, and I didn’t hear much from the subwoofer. Ultimately, enough worked well to make this a “B-“, but it remained something of a disappointment.

For reasons unknown, the disc’s producers refer to its audio commentary as “Moments With…”. That title made me think it might be a scene-specific track, but it’s not, so while the commentary’s edited from a bunch of different sessions, the chatting covers the whole movie.

We hear from director Martin Scorsese, actors Sharon Stone and Frank Vincent, writer Nicholas Pileggi, editor Thelma Schoonmaker, producer Barbara De Fina, and costume designer Rita Ryack.

At the start, we learn about how Scorsese came to the project, and we also get notes about Pileggi's research, the reality behind the story and development of the material. In addition, the commentary covers the writing of the script, cinematography and editing, casting, the film's structure, music, the emphasis on "excess", voiceovers, complications shooting in Vegas, clothing, the flick’s violence and the actors’ work and interaction on the set.

All the contributors add a lot, but Pileggi and Stone provide the most useful material. Pileggi gives us a great look at how fiction relates to fact, and we get nice stories like his memory of watching the movie with the real Ace. Stone digs into her acting and what it’s like to work with the others in a very rich manner.

She comes across as thoughtful and intelligent as she lets us know her insights. Only a little dead air occurs during this mostly lively and engaging discussion. It’s a terrific track.

Four Deleted Scenes last a total of two minutes, 59 seconds. Two of them involve Nicky and some stories about the old days, while the others show outtakes.

We watch Don Rickles joke and we also see additional shots of Scorsese’s mother Catherine. There’s nothing substantial here.

A historical featurette, Vegas and the Mob goes for 13 minutes, 42 seconds. Created for NBC News, Josh Mankiewicz hosts it and looks into how the Mafia helped develop Las Vegas.

We hear from Mayor Oscar Goodman, UNLV history professor Hal Rothman, and former mobster Frank “Lefty” Rosenthal, the character on whom Casino’s Ace was based. The show covers the origins of the glitzy Vegas and goes through the Mob’s rise and fall there.

Obviously the program’s length precludes great depth, but the piece nonetheless offers a tight and involving look at its subject. Goodman’s personal recollections of many mobsters makes the show especially interesting.

Taken from the History Channel, a documentary called History Alive: True Crime Authors: Casino with Nicholas Pileggi fills 43 minutes, 45 seconds. Pileggi discusses the origins of Casino and then we go into the life of Rosenthal as well as that of Anthony Spilotro, the man on whom they based Nicky.

We also get some comments from Rosenthal and learn about the long-time Rosenthal/Spilotro relationship plus Lefty’s move to Vegas and his exploits there.

This means we learn more about the Mafia impact and Rosenthal’s romance with Geri McGee, the woman on whom they based Ginger. “Alive” shows where the movie adhered to fact and where it shifted into fiction. It provides a solid examination of the history behind Rosenthal’s story and creates a very nice complement to the film.

Under U-Control, we find a picture-in-picture track. This mixes behind the scenes materials and interview clips. We hear from Scorsese, Schoonmaker, De Fina, Stone, Ryack, Vincent, Pileggi and actors Robert De Niro and Joe Pesci.

“U-Control” looks at the opening credits, how Scorsese came to the film, story/character areas, cast and performances, editing and music, costumes, and the film’s reception. Some of the material repeats from the commentary but a smattering of new details emerge, so “U-Control” merits a look.

Note that the 2005 DVD included four featurettes that fail to appear here. Some of their content gets wrapped into “U-Control”, but not nearly all of it. Those featurettes ran almost an hour in total, and there’s no way the “U-Control” clips fill that much time.

Essentially GoodFellas 2, Casino feels like a wan imitation. While it comes with enough positives to keep us reasonably engaged, the movie still becomes a letdown. The Blu-ray offers generally good picture and audio along with a nice array of bonus materials. Casino offers second-rate Scorsese.

Viewer Film Ratings: 3.4166 Stars Number of Votes: 12
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Review Archive:  # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | Main