Dirty Harry appears in an aspect ratio of approximately 2.35:1 on this Blu-ray Disc. With only a few moderate problems, this became a satisfying transfer.
Very few issues affected sharpness. At times wide shots looked a little iffy, especially around the edges in some interiors, and a bit of light edge enhancement created small distractions. Nonetheless, the majority of the flick seemed accurate and well-defined. No issues with shimmering or jaggies materialized, and source flaws remained minor. I saw a handful of specks but that was it.
Colors looked natural. The movie lacked stylized hues, as it went with a realistic palette that seemed full and rich. Blacks were generally good, though they could be slightly inky at times, and shadows were pretty positive. A few shots seemed a little dense, but most of the film showed good definition in low-light elements. While I didn’t think the transfer was quite strong enough for a “B+”, it still proved more than satisfactory.
As for the Dolby TrueHD 5.1 soundtrack of Dirty Harry, it provided a pleasant surprise. The soundfield was quite engaging throughout the film, as environment added a nice sense of place at all times.
Some louder scenes allowed matters to become even more dynamic, and movement was consistently good. For instance, we got impressive motion in terms of helicopters, as they would zip around the spectrum. Music showed nice stereo definition, and the surrounds presented a solid layer of reinforcement. They didn’t include a ton of unique information, but they brought out much more than expected.
Audio quality rarely showed its age. Speech was natural and concise, and edginess was minor at worst. Music sounded lively and full, and effects presented good reproduction as well. Those elements suffered from only modest distortion and featured solid bass response. I felt very pleased with this fine age-defying soundtrack.
How did the Blu-ray compare to the Special Edition DVD from 2008? Audio seemed a smidgen warmer, while visuals appeared tighter and more natural. The Blu-ray came from the same transfer used for the DVD, but the format’s advantages meant it worked better.
The Blu-ray reproduces the DVD’s extras, and we start with an audio commentary from film critic Richard Schickel. He provides a running, screen-specific chat that looks at shot composition and visual storytelling, reactions to the film and related controversies, cast and crew notes, music, and some film interpretation.
When I see Schickel listed as a commentator, I always get a little shudder. The critic occasionally offers some good discussions of various films, but he provides a lot of dull ones as well. You never know what you’ll get, so I go into his commentaries with a minor sense of dread.
That’s probably an over-reaction; Schickel’s commentaries usually aren’t great, but they’re not painful. That MO holds up for Dirty Harry. Schickel offers a moderate number of insights and interesting notes, but the track doesn’t provide consistent pleasures. He goes silent too often and also occasionally tends to simply narrate the movie. This becomes a rather mediocre commentary.
Next comes a documentary called Dirty Harry: The Original. In this 29-minute, 45-second piece, we find movie clips, archival elements, and interviews. Hosted by Robert Urich, we hear from Clint Eastwood, Magnum Force writer John Milius, Force director Ted Post, and actors Arnold Schwarzenegger, Andy Robinson, Hal Holbrook, Patricia Clarkson, and Evan Kim. “Original” looks at the use of San Francisco in the series, aspects of the main character and how he connected to his era, the film’s violence, cast and performances, developments in subsequent “Harry” movies, and the series’ impact on other movies.
“Original” takes a general approach to its subject, and it doesn’t work especially well. Oh, it’s a reasonably enjoyable piece, but it stays too superficial much of the time and it doesn’t deliver many genuinely interesting nuggets. Expect a mediocre overview.
More comments appear in the Interview Gallery. It presents remarks from Eastwood, Clarkson, Holbrook, Kim, Milius, Post, Robinson, Urich, Schwarzenegger, and editor Joel Cox. Taken together, these fill a total of 27 minutes, 25 seconds, and they offer outtakes from the sessions used in “Original”. They provide some general thoughts about aspects of the series and their participation in the films. The first few interviews aren’t very interesting, but once we get to Milius – the sixth of the 10 – matters improve. Nothing stellar appears here, but at least a few decent comments emerge.
A vintage featurette entitled Dirty Harry’s Way runs seven minutes, six seconds. Visit this one for some decent footage from the set. Nothing else about it fares particularly well, as it exists to promote the movie. Still, the archival footage adds some value.
The Long Shadow of Dirty Harry lasts 25 minutes, 31 seconds as it presents notes from Eastwood, Milius, Holbrook, Robinson, Cox, Schickel, former WB executive John Calley, film critic Emanuel Levy, authors Douglas Thompson and Neal King, filmmakers Joe Carnahan, David Ayer, Shane Black, Tom Fontana, Peter Hyams, George Gallo, John Badham, Steven E. de Souza, Jay Cocks, Allen and Albery Hughes, Michael Butler, Jack N. Green, and James Fargo, and actors Michael Madsen and Tyne Daly. “Shadow” acts as an appreciation for Dirty Harry. It looks at the film’s era and how the flick fit that period, the main character’s appeal and portrayal, themes, a few filmmaking notes, and thoughts about the flick’s impact.
As an appreciation, “Shadow” tends toward general comments. We don’t learn a lot about the creation of the flick, and even when the show veers in that direction, it tends to repeat nuggets heard elsewhere. This is a reasonably enjoyable piece but not an especially valuable one.
Clint Eastwood: The Man From Malpaso fills 58 minutes, eight seconds with info from Eastwood, Post, Cox, composer Lennie Niehaus, agent Leonard Hirshan, stunt coordinator Wayne Van Horn, art director Henry Bumstead, director Michael Cimino, producer David Valdes,
and actors Jessica Walter, Gene Hackman, Marsha Mason, Forest Whitaker, Frances Fisher, and Genevieve Bujold. “Malpaso” looks at Eastwood’s movie career and its development over the years. A 1993 production, it starts with 1966’s A Fistful of Dollars and progresses through 1992’s Unforgiven. It also tells us a little about Eastwood’s family and other aspects of his life.
Of all the disc’s extras, “Malpaso” proves the most satisfying. It offers a fine career overview and gives us a good idea about what makes Eastwood tick. Of course, general praise becomes inevitable, but happy talk doesn’t overwhelm the show. Instead, it provides us with a concise and consistently involving look at Eastwood’s life and work.
A 2000 BBC documentary called Clint Eastwood: Out of the Shadows lasts one hour, 26 minutes, 48 seconds. Narrated by Morgan Freeman, we hear from Eastwood, novelist/screenwriter William Goldman, actor/director Forest Whitaker, critics Pauline Kael and Janet Maslin, writers Nat Hentoff and Walter Mosley, directors Sergio Leone, Martin Scorsese, Don Siegel, Bertrand Tavernier, and Curtis Hanson, mother Ruth Wood, critic/biographer Richard Schickel, assistant director Tonino Valerii, author Richard Slotkin, director/stunt coordinator Buddy Van Horn, former WB Distribution president Barry Reardon, WB Senior VP Publicity Joe Hyams, editor Joel Cox, composer Lennie Niehaus, director of photography Jack N. Green, casting director Phyllis Huffman, wife/TV journalist Dina Ruiz Eastwood, and actors Donald Sutherland, Meryl Streep, Eli Wallach, Dani Janssen, James Garner, Rip Torn, Richard Burton, Geoffrey Lewis, John Wayne, Bill McKinney, and Gene Hackman.
The program looks at Eastwood’s childhood and influences, his move into acting and his early career, aspects of his personal life, and his development as an actor and a filmmaker. As a general career overview, “Shadows” proves quite satisfying. Of course, it rips through Eastwood’s life and work at a rapid pace, but it can be acceptably deep and introspective at times. The documentary succeeds in the way it covers all these elements, and it also entertains along the way; the clip of Rip Torn as a Rawhide Indian is worth the price of admission alone.
The disc finishes with a Trailer Gallery. It includes ads for Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool.
With 1971’s Dirty Harry, one of the screen’s most iconic characters made his debut. I can’t say he did so in grand fashion, as Harry doesn’t provide stellar filmmaking but it does act as a reasonably compelling action drama. The Blu-ray offers good picture along with strong audio and a mostly informative set of supplements. Harry holds up pretty well after 45 years.
To rate this film visit the DVD Review of DIRTY HARRY
