Reviewed by Colin Jacobson (April 8, 2026)
When initially released in its native Italy, the 1961 film I’ll soon discuss came with the title Ercole alla conquista di Atlantide. Of course, that wouldn’t work for English-speaking audiences, so it got a change in name.
Or at least three changes in name. In various locations, the film ran as Hercules and the Conquest of Atlantis, Hercules Conquers Atlantis, and – here in the US - Hercules and the Captive Women.
Replete with a cover that offers an artistic vision of a sexy babe – presumably one of those titular captured ladies – this package goes with Captive Women. I might recommend an alternate title: What A Load of Campy Nonsense.
King of Thebes Androcles (Ettore Manni) seeks to find the source of mysterious events that plague ancient Greece, and he attempts to recruit his hunky buddy Hercules (Reg Park) to assist. However, Hercules enjoys the domestic life with wife Deianira (Luciana Angiolillo) and son Hylas (Luciano Marin) so he demurs.
Hylas seeks adventure, so he helps Androcles dope his pop and kidnap him for the journey. This eventually leads all involved to the land of Atlantis, where Hercules contends with Queen Antinea (Fay Spain), a megalomaniac who plans to assemble an army of superhuman warriors.
All that leads to the impression Women might offer a rousing adventure. Unfortunately, little excitement ever materializes, as the end result seems as sleepy as our hero.
Rather than any of the various titles I mentioned earlier, Hercules Likes to Nap seems like the best choice. Comatose Sunny Von Bulow spent more time awake and alert than Hercules, as he embraces any chance to nod off.
When Herc manages to rouse himself, he encounters little that pounds the pulse. The film plods from one attempt at action to another, none of which hit the mark.
Instead, the whole thing seems ineffective and silly. Other than some questionable visual effects, Women does boast better production values than the average flick of its genre.
Sort of, as the material remains so fluffy and goofy that it doesn’t turn into an engaging affair. Women might satisfy fans of campy flicks, but otherwise, it’s a dud.
Footnote: for modern audiences, the English dub’s frequent mentions of “Uranus” offer unintended laughs. I didn’t want to pick on the film for that, as I suspect that term didn’t elicit the same reaction 65 years ago that it gets today. Still, it’s pretty funny now.