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Lorene Scafaria
Constance Wu, Jennifer Lopez, Julia Stiles
Writing Credits:
Lorene Scafaria

A crew of savvy former strip club employees band together to turn the tables on their Wall Street clients.

Box Office:
$20 Million.
Opening Weekend
$33,181,361 on 3250 Screens.
Domestic Gross

Rated R.

Aspect Ratio: 2.39:1
English Dolby Atmos
Spanish Dolby 5.1
English DVS
Supplements Subtitles:

Runtime: 110 min.
Price: $34.98
Release Date: 12/10/2019

• Audio Commentary with Director Lorene Scafaria
• Trailers & Previews
• DVD Copy


-LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV
-Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver
-Sony UBP-X800 4K Ultra HD Blu-ray Player
-Chane A2.4 Speakers
-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


Hustlers [4K UHD] (2019)

Reviewed by Colin Jacobson (December 4, 2019)

In May 2019, Universal released The Hustle, a film about female con artists.

In September 2019, Universal released Hustlers, a film about female con artists.

Didn’t anyone at the studio think that maybe one of them needed a different title?

That said, potential audience confusion didn’t seem to hurt Hustlers. With a fairly low $20 million budget, the movie made $150 million worldwide – pretty good for a drama released after summer blockbuster season.

Back in 2007, Destiny (Constance Wu) gets a gig at an upscale strip club in New York. Initially she struggles to succeed, but when veteran dancer Ramona (Jennifer Lopez) tutors her, Destiny starts to earn big bucks.

Alas, when the economy craters in autumn 2008, all the Wall Street sorts who threw cash and Destiny and the others shrivel up, and the strippers find themselves on hard times. After a break from the job to have a child, Destiny returns to exotic dancing and finds a new world, as there’s less money and tougher competition from Russians willing to offer sexual favors to clients for money.

Destiny reconnects with Ramona, who found a new way to churn money out of the remaining wealthy patrons. Along with partners Mercedes (Keke Palmer) and Annabelle (Lili Reinhart), Ramona seduces men at bars, gets them drunk and “borrows” their credit card numbers. Destiny soon joins this plan and finds a slew of challenges along the way.

If I wanted to go the pithy and snarky route, I’d write a three-word review of Hustlers: “GoodFellas With Strippers”.

The newer film doesn’t offer a perfect parallel for Scorsese’s 1990 classic, but the two come awfully close for comfort. At least writer/director Lorene Scafaria enjoys lots of company, as it seems like many modern movies openly ape Scorsese’s style.

Hustlers comes closer to a specific influence, though, as the GoodFellas analogy really does work fairly well. The two differ mainly on how they distribute their story points, as Act One of Hustlers compresses Acts One and Two of GoodFellas, while it stretches the 1990 movie’s third act across its second and third segments.

While I want to evaluate and appreciate Hustlers on its own merits, all those Scorsese-esque moments make that difficult. As I mentioned, plenty of other modern movies use his style – and Marty himself can sometimes veer into self-parody these days – but that doesn’t make the connections less glaring.

Like GoodFellas, Hustlers tries to get us to empathize with criminals. Though the women of Hustlers fall far short of the brutal mobsters of GoodFellas, they still commit heinous misdeeds.

Hustlers tries harder to forgive its characters for their actions, though. Scorsese never really tries to let the mobsters off the hook, but Scafaria clearly wants us to see Destiny, Ramona and the others as victims of a corrupt system, not cynical con artists.

This doesn’t work, no matter hard Scafaria attempts to paint their victims as awful people. The Wall Street schemers we find may well have been scum, but two wrongs don’t make a right.

Maybe if Hustlers tried to portray Destiny and the others as G-string-clad Robin Hoods, we might find some greater willingness to bond with them. However, they tend to throw their riches at conspicuous consumption.

Eventually it becomes really hard to see the women as morally superior to the Wall Streeters they scam. I know Scafaria wants us to view Hustlers as some kind of female empowerment tale, but I can’t figure out why we’re supposed to see these greedy, selfish women as admirable and noble.

The actors do their best with the roles, but Scafaria’s script leaves them as woefully underdeveloped. Occasionally the film tosses attempts at exposition our way, but usually we just get superficial views of the characters and their circumstances.

For the most part, Hustlers brings an entertaining tale despite its flaws. However, it can feel padded at times, as some scenes – like one about an extravagant Christmas – run too long.

All of these factors leave Hustlers as a flawed enterprise. The movie manages to keep us with it but it seems too derivative and morally off-kilter to prosper.

The Disc Grades: Picture A/ Audio B/ Bonus C+

Hustlers appears in an aspect ratio of 2.39:1 on this 4K UHD Disc. A film finished at 4K, this turned into a stellar presentation.

Sharpness satisfied, with nary a sliver of unintentional softness. The image went with some stylized photography at times that meant decreased definition, but those instances made sense for the tale, and the movie otherwise seemed accurate and well-defined.

The image lacked shimmering or jaggies, and it also demonstrated no edge haloes. Print flaws remained absent as well.

For the most part, the presentation presented an amber/orange and teal palette, though club scenes veered toward purples and reds. The Blu-ray executed them in an appropriate manner, and the disc’s HDR added pop and power to the hues.

Blacks looked dark and dense, while shadows felt smooth and concise. The HDR made whites pure and bright, with excellent contrast. I thought we got a well-rendered transfer.

Downconverted to Dolby TrueHD 7.1, the Dolby Atmos soundtrack of Hustlers mainly came to life during scenes at the club. Those used all the channels in an involving manner, with plenty of music and atmosphere around the room.

Other sequences became less dynamic, but they added some useful information. Though I couldn’t find anything exciting in these moments, the soundfield worked for the film.

Audio quality satisfied, with dialogue that came across as natural and concise. Music showed nice range and warmth.

Effects didn’t have much to do, but they stayed accurate and lacked distortion. I thought the mix suited the story.

How did the 4K UHD compare to the Blu-ray version? Audio remained identical, as both discs brought the same Atmos track.

Visuals improved with the UHD disc, as it took advantage of the fact it was finished as a 4K project. Sharpness showed a boost, colors appeared stronger, and blacks/whites appeared more impactful. As good as the Blu-ray looked, the 4K UHD easily topped it.

In addition to two trailers, we find an audio commentary from writer/director Lorene Scafaria. She offers a running, screen-specific look at the source and story/character areas, period details and stabs at realism, music, cast and performances, sets and locations, editing, and related domains.

While Scafaria brings a decent view of the production, she peppers her commentary with an awful lot of praise for the film and all involved. We get enough information to keep us with the chat, but it never threatens to be consistently insightful.

A second disc brings a Blu-ray copy of Hustlers. It includes the same extras as the 4K UHD.

The Blu-ray disc opens with ads for Countdown, Fast & Furious Presents: Hobbs & Shaw, Brian Banks, and Downton Abbey.

Essentially a Scorsese mob movie with hot women, Hustlers lacks originality and consistency. While it gives us occasional entertainment, it seems spotty and erratic. The 4K UHD brings excellent visuals along with appropriate audio and a decent commentary. Too derivative for its own good, Hustlers fails to hit the mark.

To rate this film visit the original review of HUSTLERS

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