Reviewed by Colin Jacobson (December 8, 2025)
Thanks to hits like Ben-Hur, the late 1950s existed smack-dab in the era of the Big Biblical Epic. In that vein, we head to 1959’s The Miracle.
Set in Spain during the early 19th century, teenaged postulant nun Teresa (Carroll Baker) struggles with the rules of the convent. When she meets dashing British officer Captain Michael Stuart (Roger Moore), she eventually decides to leave her religious life behind her.
In a twist, the town’s statue of the Virgin Mary comes to life and takes Teresa’s place. This leads the teen to question her choices.
Of course! Who among us hasn’t doubted our decisions when inanimate objects become sentient?
Snark aside, I can’t help but feel that plot twist damages Miracle. What could offer a simple tale of a girl who battles between her earthly desires and her commitment to God turns silly and gimmicky.
Not that I think Miracle would excel. While the goofiness of the big plot twist makes the movie literally laughable, the rest of it feels tedious at best.
Oh, Miracle comes with plenty of potential drama. In addition to the romance and Teresa’s crisis of faith, the story delivers enough military material for some action.
None of this goes anywhere even vaguely interesting. We follow Teresa as she embraces “civilian life” before she eventually comes back to the convent.
Spoiler? Maybe, but a movie like this seems highly unlikely to buck the expected trend.
Though Miracle takes a looong time to get there. Teresa goes on a variety of adventures – mostly romantic – before she gets back to where she once belonged.
Absolutely none of this brings provocative or involving material. Instead, the story simply meanders across Teresa’s life as we wait for the inevitable rediscovery of faith.
Perhaps I shouldn’t claim that a movie in 1959 couldn’t push Teresa away from a religious existence. After all, The Sound of Music debuted on stage the same year and also told the tale of a postulant who left the convent for love.
Still, Music made Maria a less fiery and conflicted character. Teresa openly turns her back on the church whereas Maria never does that.
Whatever the case, Music works because it tells an interesting narrative in a vivid way. Miracle brings us a threadbare plot that never manages to find a compelling hook.
James Bond fans will probably like this chance to see Moore before The Saint and 007 brought him fame. We don’t find much evidence Moore could act, though, as he delivers a charming presence and not much else.
Moore becomes the least of the problems I find with The Miracle, though. Tedious and overwrought, the movie fizzles.