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PARAMOUNT

MOVIE INFO

Director:
Steven Spielberg
Cast:
Harrison Ford, Karen Allen, Paul Freeman
Writing Credits:
George Lucas, Philip Kaufman, Lawrence Kasdan

Synopsis:
In 1936, archaeologist and adventurer Indiana Jones is hired by the US government to find the Ark of the Covenant before Adolf Hitler's Nazis can obtain its awesome powers.

Box Office:
Budget
$20 million.
Opening Weekend
$8,305,823 on 1078 screens.
Domestic Gross
$248,159,971.

MPAA:
Rated PG.

DISC DETAILS
Presentation:
Aspect Ratio: 2.35:1
Dolby Vision
Audio:
English Dolby Atmos
Spanish Dolby 5.1
Spanish Dolby 2.0
French Dolby 5.1
Italian Dolby 5.1
Italian Dolby 2.0
Japanese Dolby 5.1
Japanese Dolby 2.0
Russian Dolby 2.0
Subtitles:
English
Cantonese
Danish
Spanish
French
Italian
Japanese
Korean
Mandarin
Dutch
Norwegian
Russian
Simplified Chinese
Finnish
Swedish
Thai
Closed-captioned
Supplements Subtitles:
None

Runtime: 115 min.
Price: $99.98
Release Date: 6/8/2021

Available Only as Part of the “Indiana Jones 4-Movie Collection” 5-Disc Set

Bonus:
• Trailers


PURCHASE @ AMAZON.COM

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-SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer


RELATED REVIEWS


Raiders Of The Lost Ark [4K UHD] (1981)

Reviewed by Colin Jacobson (June 13, 2021)

Back when Raiders of the Lost Ark hit screens in 1981, I felt no desire to see it. For reasons I no longer recall, my then-14-year-old self thought Spielberg movies seemed uncool, and I greatly resisted this one.. I only went because my Dad basically made me go.

Score one for the Old Man! I knew very little about Raiders before that screening but I became totally enraptured with what I saw. Whatever I did or didn’t expect, I surely couldn’t anticipate this, a rollicking adventure that seemed like the perfect movie.

40 years later, I still find it hard to dispel the notion that Raiders offers a virtually flawless flick. Set in 1936, we meet adventurer Indiana Jones (Harrison Ford) during a lively sequence in which he nabs an ancient artifact from a South American cave.

Back in the States, we learn that Indy also maintains a day job as an archaeology professor. However, his adventures frequently take him from the classroom, and when representatives of the US government come a-calling, he gets a new assignment to seek one of the greatest artifacts of all: the Lost Ark of the Covenant.

Hitler thinks the Ark possesses magical powers, so he orders his forces to pull out all the stops in their hunt for it. Since the US agents don’t want that to happen, they recruit Indy as the best man to beat the Nazis to the punch.

His first stop? Nepal, where he goes to find a medallion that will help him find the alleged burial spot of the Ark. This opens some old wounds, however, as he runs into Marion Ravenwood (Karen Allen), the daughter of his former partner - and also an old flame he jilted a decade earlier.

Despite their problematic past, the pair team up in the search for the Ark and head to Egypt, where Indy reunites with old friend/local helper Sallah (John Rhys-Davies). On the Nazi team against them we find Belloq (Paul Freeman), a mercenary French archaeologist we already met back in South America.

He heads a squad that includes a diabolical enforcer named Toht (Ronald Lacey) and other nasties. The movie follows the race between the two groups to discover the Ark and deal with the ramifications that ensue.

One cannot overstate the impact Raiders made on moviegoers back in 1981. It presented a genuine breath of fresh air, a lively and endearing flick that pounded on the viewer with relentless action.

However much it battered us, however, we eagerly came back for more. If ever a movie merited being called a “rollercoaster ride”, it was Raiders.

Critics will knock Raiders as unoriginal, and it’s certainly true that the film doesn’t present anything particularly innovative. Really, as the filmmakers freely admit, it gleefully offers a then-modern version of the old movie serials from the 1930s/1940s. Raiders offers nothing more than a cliffhanger without the wait between episodes.

However, originality can be severely overrated. Just because you do something different doesn’t mean the results automatically seem interesting.

As Disney movies and Bond flicks demonstrate, execution proves much more important than innovation. Maybe Raiders didn’t tread any new ground, but it explored its subjects so incredibly well that it felt fresh.

Make no mistake: in 1981, most of us had never seen a movie like Raiders. Director Steven Spielberg creates the ultimate expression of the adventure flick with an ideal hero and briskly paced action that grabs the viewer and never lets go.

The film’s opening sequence remains possibly its most famous, and it perfectly sets the stage for what will come. A series of “how can things get worse?” challenges, it gets the ball rolling – pun intended – terrifically. Few movies have opened with such an amazing sequence.

That doesn’t mean it’s all downhill from there, though, as Raiders presents a fantastic succession of action bits that all seem to top each other. Viewed objectively, none may seem quite as stellar as that opening, but the film nonetheless comes chock full of exciting and rousing moments.

Don’t take Raiders to be nothing more than a random collection of action set pieces without anything interesting to connect them. The film presents a great roster of characters, all headed by Indy himself.

Ford was already famous for Star Wars, but here he became a true movie star. The first actor to break out of the typecasting caused by the 1977’s classic’s success, Ford’s work as Indy showed that he could do more than pilot a starship. Indy makes him more of a classic action hero, so without it, I don’t know if he ever would have become a megastar.

Indy remains the perfect hero, as he’s one of those guys the women desire and the men admire. He doesn’t play better for one gender or another, as across the board, Indy seems irresistibly and unselfconsciously charming.

I don’t know if anyone but Ford could pull off my favorite moment in Raiders. After one extended battle that leaves him battered, Sallah tells Indy that the Nazis put the Ark on a departing truck.

Despite his exhaustion and soreness, Indy slaps his glove and resolutely asks, “Truck? What truck?” This is a hero who won’t give up but who seems delightfully real all the while. Determined but not superhuman, Indy represents the best in all of us.

Ford doesn’t carry the movie alone, of course, and the film’s supporting characters certainly embellish it. Allen’s Marion offers a terrific heroine. Bluntly beautiful but not prissy, she seems spunky and smart and becomes a perfect match for Indy. Has any female lead in an action flick gotten a better introduction than her drinking contest?

Add to that Rhys-Davies’ understated and charming take on the stereotypical sidekick, Lacey’s insidious performance as the leering Toht, and Freeman’s glibly slick but nicely three-dimensional interpretation of the mercenary and you have a great roster of supporting personalities. All make the movie more real despite its cartoony origins, and they become important reasons for its success.

I could go on and on about the magic that is Raiders of the Lost Ark, but I’ll stop there. Suffice it to say that it continues to present a virtually flawless piece of cinematic entertainment. It dazzled me when I first saw it 40 years ago, and it still knocks me out today.


The Disc Grades: Picture A-/ Audio A-/ Bonus NA

Raiders of the Lost Ark appears in an aspect ratio of approximately 2.35:1 on this 4K UHD Disc. Across the board, this Dolby Vision presentation looked excellent.

Sharpness was strong. The only examples of softness resulted from the source, as some shots – like a few during the opening or at Marion’s bar – have always been a smidgen fuzzy. Otherwise, the film delivered tight, concise visuals.

I noticed no issues with jagged edges or shimmering, and edge haloes weren’t a factor. Print flaws also remained absent, and with a natural layer of grain, I suspected no issues connected to digital noise reduction.

Colors looked solid. With a moderate emphasis on tans and ambers, the hues were pretty vivid and fit the production design well. The disc’s HDR added emphasis and strength to the colors.

Blacks were dense and deep, and shadows appeared nicely delineated and concise. HDR brought added heft to whites and contrast as well. I felt really pleased with the image.

Downconverted to Dolby TrueHD 7.1, the Dolby Atmos soundtrack of Raiders of the Lost Ark seemed splendid for its age. The movie employed an almost shockingly active soundfield that presented a great deal of auditory information.

The score enjoyed solid stereo imaging, and the track offered much localized material. The mix featured a lot of different auditory pieces that were placed appropriately in the environment.

These included a lot of elements from the rear speakers. The surrounds added a great deal of information to the track, and they helped make it an engulfing affair.

Audio quality slightly showed it age but usually seemed very positive. The dialogue occasionally was a little hollow, and I noticed periodic examples of awkward looping. Nonetheless, the lines betrayed no signs of edginess, and they mostly sounded natural and distinct.

John Williams’ rousing score came across as bright and dynamic, with great definition for the various parts. Effects also showed a bit of thinness, but not often.

The various elements mostly seemed accurate and concise, and those pieces presented surprisingly vivid low-end. The bass of Raiders packed a real punch and helped bring a lot of life to the mix. In the end, this became a well above average track for a flick from 1981.

How did this 4K UHD compare with the Blu-ray from 2012? Audio sounded more robust and full, as the Atmos remix brought out additional involvement.

In addition, the Dolby Vision picture came across as tighter, better defined and more natural. In particular, colors seemed more accurate, as the Blu-ray went a little too hot at times. The 4K became a clear upgrade over the Blu-ray.

Because it comes as part of a five-disc/four-movie collection, almost no extras show up on the Raiders platter itself. We get both a teaser and a trailer from 1981 as well as a reissue trailer. The last one doesn’t provide a date of re-release, but I’m guessing this was from 1983; if I recall correctly, the movie hit theaters again in the spring of that year.

Note that I didn’t give this disc a grade for bonus materials because of its place in the “Complete Adventures” package. When I review the “Bonus Features” platter, I’ll offer an overall supplements grade.

40 years after its debut, Raiders of the Lost Ark remains one of the greatest movies ever made. It absolutely defines the action adventure and presents a virtually perfect piece of excitement. The 4K UHD boasts excellent picture and audio. Here we get a top-notch rendition of a classic film. Without a doubt, Raiders has never looked or sounded better.

Note that as of June 2021, you can purchase 4K UHD Raiders of the Lost Ark solely as part of this “4-Movie Collection” set that also includes 1984’s Temple of Doom, 1989’s Last Crusade, 2008’s Kingdom of the Crystal Skull and a disc with bonus materials.

It seems likely Paramount will eventually release each of the 4K UHD films on its own, though. For reference, solo issues of the respective Blu-rays came out about 15 months after that boxed set, so a similar timetable seems logical.

To rate this film visit the DVD review of RAIDERS OF THE LOST ARK

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Review Archive:  # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | Main