Rebel Without a Cause appears in an aspect ratio of approximately 2.55:1 on this 4K UHD Disc. Across the board, this became a pleasing presentation.
Sharpness tended to be fine. At times the image could be a little soft, and some minor edge haloes resulted from the movie’s photographic techniques such as process shots. Overall, however, I thought delineation looked solid.
No problems with jagged edges or shimmering occurred, and print flaws were a non-factor in this clean presentation. I also didn't sense any prominent use of digital noise reduction, as the movie sported a light but consistent sense of grain.
Colors seemed strong. The hues displayed good definition, and often were really positive. HDR added zing and emphasis to the tones.
Blacks were dark and tight, and shadows worked well too, as the low-light shots came across fine. Whites and contrast benefited from HDR. Even with the mild softness, I thought this was a nice transfer that held up well.
Downconverted to Dolby TrueHD 7.1, the film’s remixed Dolby Atmos soundtrack seemed better than average for the era. The soundfield didn’t do a lot to spread the audio across the speakers, but the score benefited from the extra channels.
Throughout the film, the music displayed nice stereo separation and imaging. Some effects also appeared from the right and left side speakers at times, and they even showed some mildly-positive panning.
The surrounds seemed largely inactive. They provided light reinforcement of the music but virtually nothing else. Ultimately, the soundfield appeared unspectacular but was appropriate for a remix such as this.
Audio quality sounded fine for material of this age. Dialogue could be slightly thin and wan but displayed no signs of edginess or problems related to intelligibility. I should note that Rebel suffered from some terrible looping, as many lines obviously came from the studio.
Effects were similarly thin but came across as acceptably realistic, and even louder sounds showed no distortion. Music lacked much brightness, but the score seemed reasonably clear and distinct, and it showed fairly nice low end at times.
The track lacked any noticeable hiss or noise. As a whole, the audio for Rebel was nothing extraordinary but it seemed good for its age.
How did this 4K UHD compare to the Blu-ray from 2013? Despite the Atmos remix – vs. the DTS-HD MA 5.1 on the Blu-ray – the two showed similar soundscapes and quality.
Visuals got the expected upgrade, as the 4K seemed better defined and more dynamic than the Blu-ray. The superior qualities of 4K made this one a nice step up overall.
On the 4K disc, we find an audio commentary from biographer Douglas L. Rathgeb. He provides a running, screen-specific track that usually offers some good information.
Rathgeb goes into notes about the cast and filmmakers, locations and visual design, the script and changes made to it, reshoots and the film’s original black and white scenes, improvisations, problems with the Production Code, issues connected to Dean’s death, and general production notes.
At his best, Rathgeb gets into the nitty-gritty of the film well. He digs into a lot of nice production elements and gives us a decent overview of things.
Unfortunately, the track drags at times due to some dead air, and Rathgeb also tends to simply narrate the flick as it progresses. Nonetheless, there’s enough good content to make this commentary worthwhile.
Everything else appears on the included Blu-ray copy. Called Rebel Without a Cause: Defiant Innocents, this 36-minute, 30-second piece offers remarks from Rathgeb, James Dean’s friend William Bast, screenwriter Stewart Stern, Natalie Wood’s double Faye Nuell, and actors Beverly Long, Frank Mazzola, Corey Allen, Jack Grinnage, Dennis Hopper and Steffi Sidney.
The program looks at the film’s connection to society of the early Fifties, the origins of the film and script development, various story topics, casting, characters, and the actors’ interactions, problems using Cinemascope and visual concepts, changing from black and white to color, shooting various sequences, improvisation and working with director Nicholas Ray, and the movie’s legacy.
The best parts of the show deal with the evolution of the script, as we get terrific insight into the flick’s background. Stern proves especially revealing when he notes the ways that his real life influenced the story and other influences. Plenty more valuable moments appear as well, and those flesh out “Innocents” to create a very informative and entertaining look at the production.
A “vintage documentary” entitled James Dean Remembered comes next. Created in 1974, it fills one hour, six minutes, 22 seconds with narration by Peter Lawford and comments from Sammy Davis Jr., Natalie Wood, Sal Mineo, Leonard Rosenman, and Steve Allen. “Remembered” covers Dean’s life. It alternates standard biographical notes with memories of Dean from the folks involved.
Along with many movie clips, the latter elements dominate; most of the show focuses on the remarks made by the folks who knew him. At times these can become insightful. In particular, Rosenman lets us know a lot about the inner Dean. Some of the other statements seem quite odd, such as Mineo’s admission that he tried to use supernatural methods to contact Dean from beyond the grave!
The biographical side of things gets only minor discussion, and that creates a weakness to “Remembered”. Too many of the celebrity remarks about Dean remain superficial. Sure, it’s good to get personal observations about the actor, but these tend to stay on the surface and don’t really give us a terrific feel for the man.
Highlights come from some early TV appearances by Dean, though we see too little of those and too much from his movies. The show ends up as a mostly unsatisfying mix of history and anecdotes.
Next we hear from the legendary actor in the 10-minute, 31-second Dennis Hopper: Memories from the Warner Lot. Hopper discusses how he came to WB in the early 1950s as well as aspects of his career there. Hopper doesn’t tell us a ton about Rebel but he gives us some good stories in this enjoyable piece.
16 Additional Scenes run a total of 23 minutes and 51 seconds. These come without audio, which limits their usefulness. Granted, a lot of them seem to fall closer to the category of “outtake” than of “deleted scene”, and they probably wouldn’t be very interesting with or without sound.
Nonetheless, some appear more intriguing, and it becomes difficult to get much from those silent clips. Couldn’t the disc have used subtitles to flesh out the sequences?
Next we get three segments from the Warner Bros. Presents TV series. These include some general information about Rebel plus interviews with a few principals.
The first one talks with Natalie Wood and lasts seven minutes, 57 seconds, while the second features Jim Backus and runs five minutes, 47 seconds. The last one includes Dean and goes for seven minutes, 44 seconds.
Don’t mistake these for continual interviews. Especially in the case of the Wood piece, much of the footage looks at other areas of the film. The interviews can be quite minor.
The Backus and Dean segments are longer, however, and in the case of the latter, quite spooky. I’ll leave the details for you to discover yourself, but Dean’s comments clearly enter the territory of “creepy” when viewed in retrospect.
One note: the pre-interview parts of both the Backus and Dean clips are virtually identical, so only the conversations themselves differ. In any case, I liked these pieces and thought they offered a very interesting look at the movie.
Finally, the disc includes Screen Tests and Wardrobe Tests. The former lasts six minutes, 27 seconds and focuses on the interaction among Dean, Wood and Mineo.
The “Wardrobe Tests” go for five minutes, five seconds. These show Dean and Corey Allen along with a mix of the gang members. We viewed excerpts from both during the “Defiant Innocents” documentary, but it’s good to get extended segments here.
The film’s trailer concludes the disc.
Although it probably should seem pathetically dated, Rebel Without A Cause generally holds up well despite its age. The movie provides a solid look at the youth culture of its era and the problems faced by teens. Largely due to some excellent performances, the movie remains moving and convincing many decades later. The 4K UHD delivers good picture and audio along with a nice selection of bonus materials. This becomes a strong release for a classic film.
To rate this film, visit the DVD review of REBEL WITHOUT A CAUSE