Reviewed by Colin Jacobson (January 30, 2007)
You canít go home again. That old adage is proved repeatedly throughout Rocky V, the one film in the series that tries harder than any of the others to recapture the magic that made the original Rocky so special. Unfortunately, it doesnít succeed, as the fourth sequel comes across as little more than a flat attempt to duplicate the older movieís charm.
At least RV tried to regain some of the originalís simplicity and emphasis on character. Both of those elements had become increasingly rare during the prior two sequels. 1982ís Rocky III made the title character into nothing more than a muscle-bound robot. While 1985ís Rocky IV restored some life to Stalloneís pet creation, it presented a story that greatly resembled a 90-minute music video. Rocky himself seemed a little softer and more likeable than in RIII, but its barrage of rock-embellished montages left little room for character development.
For 1990ís Rocky V, the emphasis really was on a ďback to basicsĒ approach, and to do so, the director of the original film returned. Stallone had led the first three sequels - starting with 1979ís Rocky II - but he ceded the reins to John G. Avildsen for the fifth - and so far final - adventure. However, Stallone retained his position as writer and star, so he didnít give up all of his creative control.
Perhaps it was time he let someone else have a crack at Rocky, as the fifth time wasnít the charm. Nor was it charming, and the movieís desperate attempts to come across as warm and loveable made it even less endearing. As with all of the sequels, RV begins immediately at the end of the prior film. After a brutal beating at the hands of Ivan Drago - who Rocky just barely tops - we find a post-bout Stallion as he experiences uncontrollable trembling. Uh-oh - somethingís wrong with the Rock!
This isnít the first time that the character has experienced serious health concerns; in Rocky II, he was told not to box or heíd likely lose his sight. That problem was quickly overlooked in later installments, but Rockyís brain damage plays a more significant role here. For one, it keeps him out of the ring - really - and it also may have been responsible for Stalloneís most mannered portrayal of the character. I watched four of the five Rocky films over a two-day period, and it was fascinating to see the different ways Stallone took on the part. I saw him slowly leave the original stumblebum nature of Rocky through the second movie until Balboa seemed completely unrecognizable by Rocky III. With Rocky IV, Stallone made baby steps toward the original nature of the role, and outwardly, he seems completely back in the fold with the fifth film.
However, thatís not really the case, as itís clear Stallone lost any acting ability he once possessed between the 1976 original and the 1990 fifth installment. As such, his final attempt at Rocky is all about mannerisms and that goofy voice; it lacks any form of humanity or passion. Well, at least he wasnít the robotic figure seen in Rocky III. RVís Stallion is pathetically comic, but thatís closer to the real character than weíd seen in a while, so Iíll take it.
Anyway, concurrent with the discovery of Rockyís brain damage, he becomes bankrupt. A silly plot device accomplishes this, and itís clear that events take this turn for the worse simply because itís the most expedient way to take the clan back to their roots. Rockyís palatial estate housed himself, wife Adrian (Talia Shire), brother-in-law Paulie (Burt Young), and son Rocky Jr. (played by Slyís real son Sage Stallone).
Little Rocky provides one of the movieís most glaring continuity problems, as he ages a bunch between flicks even though he should remain the same. Since I watched RIV and RV back to back, I saw quite a few of these. For instance, Shireís hair grew inches and looked completely different, even though she should have presented the same appearance as in the 1985 flick.
Nonetheless, the concerns related to Rockyís son are the most problematic. As I already noted, the initial events of Rocky V take place soon after the conclusion of Rocky IV. During the latter film, little Rocky was about six years old; the preceding movies hadnít been all that strict about their continuity, but at least heíd seemed to age normally during that span and other events passed before we got a look at the older version of the character.
That doesnít happen in RV. Instead, we meet little Rocky as soon as his parents disembark from their trip to Russia. As such, the boy ages many years in the space of one evening! When they left, he was six, but now heís about 13! (Rocky Jr.ís age is never discussed, but Sage was 14 when the film was shot, and his cohorts seem to be around 12 or 13.) This makes absolutely no sense except for the fact it works for the script.
Thatís because the movie requires Rocky to become moderately estranged from his son, and a younger kid would misplay the little guyís angst and rebellion. Also, Iím sure Stallone wanted to include his own son, and that meant that little Rocky had to age a bit. Anyway, after Rocky loses his fortune, he conveniently returns to the old neighborhood and he reopens Mickeyís gym. While there he meets young fighter Tommy ďMachineĒ Gunn (Tommy Morrison), a rough-hewn Okie out to follow in the Rockís footsteps. Initially Rocky resists Tommyís entreaties to train him, but he eventually gives in and helps make the youngster into a virtual clone of himself.
Along the way, Rocky becomes much more involved with Tommyís life than with his sonís, which leads to that aforementioned estrangement. Eventually, Tommy is seduced by the money and babes offered by Don King clone George Washington Duke (Richard Gant) and he turns his back on Rocky. Of course, this means that in due time, the two of them will go at each other; you get no prize for predicting the winner.
While I didnít much care for Rocky V, I will give the filmmakers credit for their attempt to diverge from the path seen in the prior two sequels. Those went with exceedingly cartoonish depictions of our charactersí worlds, and they became little more than big, broad comic books. At least RV tries to exist in the real world.
Unfortunately, it suffers because it so strongly compares itself to the original film. The first Rocky was a once-in-a-lifetime special piece of work that doesnít come around twice; the folks behind it got lucky and were never really able to recapture anything similar. Hey, I canít blame them for trying, but I also canít say Iím surprised that they fail.
Rocky V usually falls flat because it attempts too stridently to emulate the first movie. The same sights and sounds reappear, and they all feel forced and artificial. Of course, the film has a different tone due to the path the relationship between Rocky and Tommy takes, but that aspect was problematic as well. While I can see someone like Tommy turning his back on Rocky, it all happened much too quickly and easily; the movie simply needed a violent bad guy, and Tommy was the most convenient party.
It didnít help that our newest boxer really couldnít act. Morrison was an actual fighter of modest repute who made his one and only screen performance here. Actually, heís not terrible as Tommy, which isnít surprising since heís essentially playing himself. Still, he appears awkward and phony for the most part, and his incessant prefacing of almost all lines with the word ďmanĒ became strangely amusing; turn that into a drinking game if you ever want to get totally trashed.
At least Morrison brought his boxing scenes to life, which also made sense. Most of the other actors offer less excitement. As Duke, Gant seems too ďspot-onĒ; the obvious emulation of King becomes silly and tiresome quickly, and it adds nothing to the film. Young and Shire continue their non-existence as characters who exist inside the frame but have almost nothing to do. As Iíve said during my reviews of the last two sequels, they appear in the movie simply because theyíre supposed to be there; otherwise they have no reason to exist.
To my modest surprise, Sage Stallone isnít bad as Rockyís son. Granted, some parts of the role werenít much of a stretch, but little Rocky actually has to go through the greatest arc of any character here. While Sageís performance tends to be a bit too whiny and petulant, he still seemed acceptably convincing in the part. Itís not a killer piece of work, but it certainly stood out positively compared to other famous-child acting from 1990. At least no one attacked Sage as they did Sofia Coppola for her performance in The Godfather Part III, another failed sequel from that year. How odd that Shire appeared in both films!
After steady returns for all of the prior four Rocky movies, Rocky V tanked at the box office, which is probably why we have yet to see a sixth installment. I think this drop-off more greatly reflected Stalloneís decline than it did the quality of the film itself. To be certain, RV is a flawed movie, and on its own, itís not much of a special piece of work. However, I thought it was probably the best of the four sequels, so its failure certainly wasnít because it was worse than its predecessors. Ultimately, Rocky V was a mildly watchable but forced and unspectacular movie.