Transformers appears in an aspect ratio of approximately 2.35:1 on this 4K UHD disc. I felt happy with this vivid visual presentation.
The movie boasted excellent delineation, as only a sliver of softness impacted a couple of interiors. The vast majority of the time, the movie gave us tight, accurate information.
No signs of jagged edges or shimmering occurred, and I witnessed no edge haloes. Print flaws also failed to disturb the proceedings.
Like so many other Michael Bay movies, Transformers opted for a heavily orange and teal palette. These hues lacked imagination but I can’t complain about their reproduction, as the 4K UHD made them full and accurate within design choices.
Blacks were dark and dense, while shadows showed nice definition and delineation. This turned into a stellar image.
When you dropped big bucks for your home theater, you did so for soundtracks like the Dolby Atmos audio of Transformers. Downconverted to Dolby TrueHD 7.1, it definitely delivered all the auditory goods I expected. A full-on assault from start to finish, the soundfield created a terrific sense of place.
The various battle scenes – of which the film included many – used all the speakers to great advantage. Military elements and the Transformers themselves popped up all around the room to flesh things out in a dynamic manner, so this was a consistently vivid, involving track.
And it sounded darned good, too! Effects carried the bulk of the load and provided stunning audio, as those elements were accurate and lively at all times, and they boasted awesome bass. Low-end was deep and firm as it tended to kick the viewer’s butt.
Music showed nice vivacity and dimensionality through the flick. Speech was natural and concise, as the lines lacked any edginess or other problems. This was a killer soundtrack.
How did the 4K UHD compare to the Blu-ray version? The Atmos mix boasted a bit more kick and envelopment, while the visuals seemed tighter and more dynamic. As good as the Blu-ray looked and sounded, the 4K became an obvious upgrade.
When we move to extras, we get an audio commentary with director Michael Bay, as he provides a running, screen-specific chat. At the start, Bay tells us how he came onto the project.
From there we learn about “Transformers School”, cast and performances, working with the US military, sets and locations, character design and effects, dealing with fan reactions, stunts and action, music and audio, and various publicity pressures.
Say what you want about Bay, but he’s an interesting conversationalist. Sure, he comes across as rather full of himself, but he’s also honest about his work and various events. He makes sure we learn a lot about the movie and enjoy ourselves along the way; he’s not exactly a shrinking violet.
Though we get more dead spots than I’d prefer, Bay provides a consistently informative commentary. Someone needs to tell him it’s not called “Industrial Lights and Magic”, though.
The set includes two bonus Blu-rays, and those present all the remaining extras. On Disc One, the Transformers HUD offers an interactive piece that runs alongside the movie. “HUD” stands for “head’s up display”, and this option gives us a text commentary as well as occasional video pop-ups.
In those, we see animatics and footage from the set. We also hear from Bay, Holloman Airbase Base Commander Colonel David Moore, digital production supeervisor Jeff White, executive producer Steven Spielberg, casting director Janet Hirshenson, producers Tom DeSanto Ian Bryce, production assistant Mikey Eberle, special effects coordinator Jim Schwalm, transportation coordinator Randy Peters, and actors Kevin Dunn, Shia LaBeouf, Rachel Taylor, W. Morgan Sheppard, Anthony Anderson, and Megan Fox.
The “HUD” gives us info about military elements, cast and crew, visual effects and design, story, characters and Transformers lore, performances, stunts and action, sets and locations, camerawork, vehicles, and other film-related topics.
The “HUD” drops out a bit more than I’d like – don’t expect wall-to-wall info – but it still gives us a good take on the movie. It covers a nice array of subjects and provides enjoyable glimpses of the production. The “HUD” adds to the experience.
On Disc Two, four components appear under “Our World”. The Story Sparks runs eight minutes, 35 seconds as it boasts notes from Bay, executive producers Steven Spielberg and Brian Goldner, writers Alex Kurtzman and Robert Orci, Hasbro Director of Boys Design Aaron Archer, producer Lorenzo di Bonaventura, and actors Shia LaBeouf, Jon Voight, and Josh Duhamel.
We start with how the toy turned into a movie before we move to story and script development, Bay’s arrival on the project and his impact, conceptual and character design, and how Bay works on the set. The first half of “Sparks” works best, as it focuses on the project’s development.
The second half is less useful, as it digs into Bay in a superficial way and says little more than “he’s tough but a good director”. Despite some of the sketchiness of that part, “Sparks” offers a lot of good material.
For the 13-minute, 12-second Human Allies, we get notes from Bay, di Bonaventura, LaBeouf, Bates, Duhamel, Voight, casting directors Janet Hirshenson and Michelle Lewitt, Holloman Airbase Commander Col. David Moore, and actors Megan Fox, Tyrese Gibson, John Turturro, Anthony Anderson, and Rachael Taylor. “Allies” covers cast, performances and training.
Those notes are fine, as are some of the anecdotes from the set. However, the best parts of “Allies” come the behind the scenes bits. We see a few deleted scenes, some improv outtakes, cool shots from the set and a couple auditions. These moments help make “Allies” a solid program.
Next comes I Fight Giant Robots. This 14-minute, one-second show features Bay, Duhamel, Bates, Moore, LaBeouf, Army and DOD liaison Ltc. Paul Sinor, military advisor Harry Humphries, Air Force project officer Capt. Christian Hodge, producer Ian Bryce and actor Amaury Nolasco. This show examines military elements such as actor training, attempts to maintain realism, shooting battle sequences and some stunts.
The focus on military elements makes “Fight” somewhat one-note, but it covers its subject well. I like the training footage, and the shots of LeBeouf as he deals with a hairy stunt are cool – especially when he gripes about a “fruity” line.
“Our World” finishes with the 13-minute, 36-second Battleground. The show includes statements from Bay, di Bonaventura, Bryce, Humphries, Nolasco, LaBeouf, Anderson, Taylor, key location manager Ilt Jones, assistant location manager Perri Fichtner, executive producer Mark Vahradian, art director Beau Frutiger, second company grip Michael T. Travers, and set decorator Larry Dias.
We check out the movie’s various locations and sets and related complications. Once again we learn some nice details about the production in this tight little piece.
Called “Their War”, the next section throws out another for featurettes. Rise of the Robots lasts 13 minutes, 42 seconds and provides notes from Bay, Spielberg, Archer, Orci, Kurtzman, Goldner, LaBeouf, Fox, Duhamel, Gibson, Hasbro marketing director Greg Lombardo, ILM animator Charles Alleneck, production designer Jeff Mann, Hasbro VP of Boys Design Samantha Lomow, and visual effects supervisor John Frazier.
“Robots” looks at the original toys and some of their characteristics, 1980s cartoon adaptations and the continued popularity of the Transformers, dealing with the fans, designing the Transformers, creating them, and voice casting/performances.
The show offers fine details about the toys and their adaptation for the film. I particularly like the glimpse of how Megatron would’ve sounded if Frank Welker – who was originally cast in the role – had played the part.
After this we get the 20-minute, two-second Autobots Roll Out. It features Bay, Mann, Archer, Kurtzman, di Bonaventura, LaBeouf, Frazier, picture vehicle coordinator Steve Mann, transportation coordinator Randy Peters, visual effects supervisor Scott Farrar, special effects coordinator Jim Schwalm and Automotion Industries’ Tom Molloy.
“Autobots” tells us about the cars chosen for the film and their use in it. I hate to sound like a broken record, but these featurettes are all excellent and “Autobots” offers another strong experience.
Decepticons Strike fills 14 minutes, 35 seconds with info from Bay, Orci, Mann, Hodge, Humphries, Sinor, Archer, LaBeouf, Bryce, Bates, and KNB EFX shop supervisors Michael Deak and Wayne Toth. “Strike” acts as a “Rise” except it concentrates on the baddies. I like the info about working with the military – and their reluctance to allow their weapons to be used as villains. The show offers another useful piece.
Finally, Inside the AllSpark goes for 17 minutes, two seconds with Bay, Farrar, Alleneck, Frazier, Bates, Mann, LaBeouf, Spielberg, Vahradian, digital production supervisor Jeff White, TD supervisor Hilmar Koch, animation supervisor Scott Benza, digital artist supervisor Ron Woodall, digital compositing supervisor Patrick Tubach, and associate visual effects supervisor Russell Earl. “Inside” focuses on effects work.
We learn about CG character design and animation, animatics, and melding live action and visual effects. The concentration on technical elements makes “Inside” a little dry, but it still gives us plenty of cool notes about how the filmmakers brought the robots to life.
Exclusive to the Blu-ray, Transformers Tech Inspector gives us a closer look at various characters. We can see spinning images of different Transformers. It’s not memorable.
“More Than Meets the Eye” completes Blu-ray Two. From Script to Sand: The Skorponok Desert Attack lasts eight minutes, 55 seconds and provides statements from Bay, Kurtzman, Orci, Duhamel, Mann, Schwalm, Frazier, Bates, Farrar, Tubach, location scout Michael Burmeister, ILM production manager Peter Nicolai, and actor Zack Ward.
This short piece gives us an overview of the elements used to create the Skorponok scene. It’s not one of the disc’s best featurettes, but it’s reasonably informative.
The second egg is on the “Their War” screen. Move right from “Inside the AllSpark” and press enter. You’ll see a two-minute, 34-second second piece that spotlights Bay’s cameo.
One more egg can be found. Go to “More Than Meets the Eye”, click up from the first featurette and hit enter. This reveals a one-minute, 19-second featurette called “Casting Mojo”. It offers a cute compilation of auditions from some dogs considered for the part.