DVD Movie Guide @ dvdmg.com
.
Review Archive:  # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | Main
MGM

MOVIE INFO

Director:
Allen Funt
Cast:
Allen Funt, Various
Writing Credits:
Allen Funt

Synopsis:
From "Candid Camera"man Allen Funt comes a hysterical feature films that tells and shows all. Witness America's response to one of the most titillating stunts of all time in this hilarious expose of sex and society.

MPAA:
Rated NR

DVD DETAILS
Presentation:
Aspect Ratio: 1.85:1/16X9
Audio:
English Monaural
Subtitles:
None
Closed-captioned
Supplements Subtitles:
None

Runtime: 86 min.
Price: $19.98
Release Date: 12/6/2011

Bonus:
• Trailer


PURCHASE @ AMAZON.COM

EQUIPMENT
Panasonic 50" TH-50PZ77U 1080p Plasma Monitor; Sony STR-DG1200 7.1 Channel Receiver; Panasonic DMP-BD60K Blu-Ray Player using HDMI outputs; Michael Green Revolution Cinema 6i Speakers (all five); Kenwood 1050SW 150-watt Subwoofer.

RELATED REVIEWS


What Do You Say To A Naked Lady? (1970)

Reviewed by Colin Jacobson (February 3, 2012)

After years of producing Candid Camera, Allen Funt took the series’ notion to the big screen – and provided footage that couldn’t be shown on TV back in that area. 1970’s What Do You Say to a Naked Lady? takes the program’s concept and adds a factor not seen on the tube: explicit nudity.

Like Candid Camera, Lady shows ordinary people put into unusual circumstances. Filmed by hidden cameras, we see a series of folks as they’re confronted by sudden, unexpected nudity. For instance, a naked woman gets off an office building elevator and asks for directions.

In addition, Lady includes shots of audiences as they react to the film’s footage and chats with “average people” about sex and related topics. We hear kids discuss their thoughts about reproduction, and we find adults who relate their opinions of an interracial couple.

Whereas the TV series existed as pure comedy, Lady often seems to want to be something of a cinematic Kinsey report. It’s Funt’s attempt to take the nation’s sexual pulse and discern attitudes at that particular time.

As a time capsule piece, it offers some merit, but it lacks the sociological depth to which it appears to aspire. The movie never attempts any real seriousness, as Funt clearly wants to stay with his comedic bread and butter. Perhaps he felt that social truths went down more easily when digested with a dollop of humor, and he might be right, but the scattershot nature of the material doesn’t serve it well.

Editing becomes a major issue. There’s no rhyme or reason to the way the movie progresses; we leap from one scenario to another with no smoothness or logic.

Often we don’t even any form of set-up, and that makes some situations more confusing. For instance, we see a scene in which a blonde babe stands at the top of a ladder and guys stare up her skirt. The unanswered question: does she wear panties or not? Perhaps some would argue it doesn’t matter, as the focus is on the guys who ogle the woman’s undercarriage, but it seems like the segment would have more potential comedic impact if we knew she went commando; that’d take the upskirt image into the realm of the remarkable.

In another sequence, we see a young guy at a pharmacy. He asks the female pharmacist if there’s someone else who can help him, but he gets stuck with her. Why does he so separately seek alternate assistance? I assume because he wants to buy condoms and is too embarrassed to ask for them from a woman, but the movie doesn’t tell us this. We’re left to guess, and that undermines any potential comedy; rather than snicker at the guy’s awkwardness, we’re left to wonder what his problem is.

While the film does present a lot of skin, you won’t find as much as the title might imply. Long stretches pass without any nudity at all – and these often even avoid the standard Candid Camera framework. I understand why Funt opted to include these elements, as I figure he correctly determined that 86 straight minutes of “hidden camera” gags would get old. However, he veered too much in the other direction and used too much of the time for banal comments from “average people”; these don’t add much of interest and they’re not amusing.

Funt also clearly manipulates material to match his ideas. In one, we’re shown an underwear-clad woman in a room exposed only by a keyhole-shaped opening; street passers-by can peek through this to gawk at her, and they do so.

The film then takes the same woman – in the same outfit – and sends her onto the city streets, where we’re supposed to believe no one pays any attention to her. The idea? People get aroused when they see something “off-limits”, but when it’s out there for all to view, they don’t care.

I call shenanigans on that. It seems obvious that Lady edits and shoots around the people who did ogle the woman on the street. Sorry, but any time a good-looking young woman hits the pavement in bra and panties, she’s going to get lots of attention. Funt wants us to believe only a couple of random perves ogled her, but that’s a crock.

Inevitably, Lady really shows its age via the social interpretation viewed here. That’s not a problem in some ways; while the discussion of interracial dating seems quaint at best and offensive at work, it does represent the mindset of the era.

On the other hand, Steve Karmen’s songs are dreadful circa 1970 dreck, and the film often uses them to explicitly spell out what we see. Why? I have no idea, but they become a frequent distraction. (And I still can’t get over the fact they decided to include a song that talks about how “rape isn’t as pleasant as it seems” – what were they smoking?)

Anyone who wants to see nudity would be better off finding the Candid Candid Camera videos from the 1980s. Those included more skin and more entertaining scenarios. As I mentioned earlier, Lady doesn’t come with as much nudity as one might expect, and in a disheartening choice, by far the most graphic situation features a male model. We see a long sequence in which he reclines with legs open and all exposed, but full shots of female models tend to be more modest.

A higher level of nudity certainly would’ve added to the value of Lady, but I don’t think they would’ve saved it. The film appears to think it’ll engage us with 86 minutes of sex talk and occasional skin, but it doesn’t. The movie might’ve been risqué enough to cause attention in its day, but as of 2012, it’s stale and limp.


The DVD Grades: Picture C+/ Audio C-/ Bonus D-

What Do You Say to a Naked Lady? appears in an aspect ratio of approximately 1.85:1 on this DVD-R; the image has been enhanced for 16X9 televisions. Lady comes from MGM’s “Limited Edition Collection”, which means it’s a DVD-R that was “manufactured on demand”. That sounds like a recipe for disaster, but in this instance, the DVD was surprisingly attractive.

Well, it was appealing given the low standards with which I entered this film, as I didn’t expect much from a more than 40-year-old obscure, cheaply-made flick like this. Sharpness was generally good, as the majority of the soft shots tended to stem from the clumsiness of the original photography. Though the movie never delivered great definition, it seemed fairly solid overall. I noticed no issues with jaggies or shimmering, and edge haloes were absent.

Print flaws were an occasional concern. At least one large tear occurred, and a mix of small specks and marks also popped up along the way. While these created distractions, they were less prominent than I expected, and much of the flick looked pretty clean.

Colors tended to be drab, though like everything else, they were erratic. Some shots offered pretty vivid hues, while others were dull and flat. Given the age of the material and its origins, colors were usually fine. Blacks were similar, as they seemed somewhat inky but decent, and shadows showed reasonable clarity. Nothing here dazzled, but the image was good enough for a “C+” – and was definitely better than I anticipated.

As for the film’s monaural soundtrack, it definitely showed its age. Speech tended to be dull and boomy, with occasional edginess. Music was bland and without good clarity, as the score and songs lacked much range. Effects didn’t play much of a role, as they tended to come from the environmental elements; they were acceptable within those limitations. A loud crackle popped up at the 6:58 mark; I don’t know if that was a problem with the source or an issue with my particular copy, though. The track was listenable but mediocre.

Only one extra appears here: the film’s trailer.

Since I was three in 1970, I don’t know how audiences reacted to What Do You Say to a Naked Lady? when it debuted. 42 years later, however, it’s a snoozer. The movie lacks insight or humor and the smattering of nude shots can’t do much to save it. The DVD provides erratic but surprisingly good visuals along with mediocre audio and virtually no supplements. Check out this one only if you’re interested in its “time capsule” value; it lacks much real entertainment.

Viewer Film Ratings: 2 Stars Number of Votes: 1
05:
04:
0 3:
12:
01:
View Averages for all rated titles.

.
Review Archive:  # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | Main