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Bob Rafelson
Jack Nicholson, Karen Black, Billy Green Bush, Fannie Flagg, Sally Struthers, Marlena MacGuire, Richard Stahl
Writing Credits:
Carole Eastman (and story, as Adrien Joyce), Bob Rafelson

He Rode The Fast Lane On The Road To Nowhere.

A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.

Box Office:
$1.6 million.
Domestic Gross
$18.099 million.

Rated R

Aspect Ratio: 1.85:1
English Uncompressed PCM Monaural
Supplements Subtitles:

Runtime: 98 min.
Price: $39.95
Release Date: 6/30/2015

• Audio Commentary with Director Bob Rafelson and Interior Designer Toby Rafelson
• “Soul Searching in Five Easy Pieces” Featurette
• “BBStory” Documentary
• “BBS: A Time For Change” Documentary
• “Bob Rafelson at AFI” Audio Recording
• Trailer and Teasers
• Booklet


Panasonic TC-P60VT60 60-Inch 1080p 600Hz 3D Smart Plasma HDTV; Sony STR-DG1200 7.1 Channel Receiver; Panasonic DMP-BD60K Blu-Ray Player using HDMI outputs; Michael Green Revolution Cinema 6i Speakers (all five); Kenwood 1050SW 150-watt Subwoofer.


Five Easy Pieces (Criterion Collection) [Blu-Ray] (1970)

Reviewed by Colin Jacobson (June 11, 2015)

For a look at early Jack Nicholson, we head to 1970s’ Five Easy Pieces. Nicholson plays Robert Dupea, a man from a wealthy background who seems desperate to avoid commitments and his privileged past.

Or maybe not. His progress and his interactions with others provide various insights into his personality, but he remains difficult to classify. A lot of that stems from Nicholson's excellent performance. He brings a wide variety of emotions and attitudes to the character, an especially commendable achievement since the role easily could have been of a one-note variety.

The movie evolves at a slow but compelling pace and takes its time revealing where it's going. When one knows the path in advance, one can then observe details that were missed the first time. I look forward to watching Pieces again to gather additional information and observe details.

In addition to Nicholson, some other performances stand out. Karen Black does well as Rayette, a sappy dimbulb of a waitress who's nuts about Bobby. (Tellingly, she states that she loves him quite a lot and asks him to reciprocate, but he never actually says the words.) While there doesn't seem to be much depth to the role, Black seems real and effective in the part. Rayette annoyed me, but since she was supposed to irritate me, that's probably a good thing.

Speaking of Black, it's interesting to note that she, Nicholson and Toni "Mickey" Basil appeared in Easy Rider one year prior to Pieces. However, this doesn't mark a reunion for the actors; while Basil and Black worked together in that earlier film, Nicholson never interacted with their characters. Still, it makes for a neat little footnote.

Basil plays a minor character in Pieces as a sidekick to a rather abrasive apparent lesbian, both of whom are hitchhikers who are picked up by Bobby and Rayette. Helena Kallianiotes plays Palm Apodaca, the nasty one, and is an absolute hoot in the role. She goes on and on about filth and dirt and bemoans the state of humanity.

No, it doesn't sound like much, but Kallianiotes provides the role with such bitter and harsh vigor that she's a constant delight to watch. Although she was just a curious footnote to the drama of the film, her part was the most entertaining aspect of the movie.

Five Easy Pieces stands as a strong film from relatively early in Nicholson's career. His roles have varied so much that it's hard to compare present to past - it's one of those apples and oranges deals - but Pieces certainly deserves to stand as one of the best films he's made. Despite its slow pace, the movie offers a very compelling look at some interesting characters and works quite well.

The Blu-ray Grades: Picture B/ Audio C+/ Bonus B+

Five Easy Pieces appears in an aspect ratio of approximately 1.85:1 on this Blu-ray Disc. We got a good – and sometimes great – transfer here.

Sharpness seemed inconsistent but usually solid. Most of the movie displayed positive delineation, and some shots came across with a tremendous amount of detail. However, occasional elements appeared somewhat soft; these usually appeared during wide shots. Nonetheless, the majority of the flick boasted good clarity.

No issues with jaggies or moiré effects occurred, and edge haloes remained absent. I detected no signs of digital noise reduction, as the movie maintained a good natural sense of grain. Source flaws were virtually non-existent across this clean presentation.

With its fairly natural palette, Pieces boasted nice colors. These rarely excelled, but they consistently looked full and rich. Blacks were deep and dense, but shadows could be a bit up and down. Some low-light sequences displayed good clarity, while others seemed a little dense. Despite some drawbacks, I mostly thought the film looked fine, and parts of it offered very strong visuals.

Given the film’s scope, you shouldn’t expect much from its PCM uncompressed monaural soundtrack. Speech became the dominant factor, and that side of the mix sounded fine. Lines occasionally appeared a bit thick, but they usually showed good distinctiveness.

Music came only from country songs or classical pieces, so the movie didn’t provide a standard score. Most of the music existed more like background material, and that meant those components didn’t boast great presence. Still, they were acceptably clear. Effects also lacked a strong role, but they seemed reasonably concise and accurate. Nothing here stood out as memorable, so I thought this track was pretty average for its age.

How did the 2015 Blu-ray compare to the original Criterion Blu-ray from 2010? Both were identical, as they offered the same visual and auditory transfers.

When we shift to the set’s extras, we start with an audio commentary from director Bob Rafelson and interior designer/Bob’s then-wife Toby Rafelson. Both recorded individual running, screen-specific tracks that got edited into this single piece. They chat about set design and locations, cast and performances, music, script/story and cinematography, working with the studio and the production company, costumes and the film's title.

While not the most exciting commentary I've heard, the Rafelsons cover the flick well. We get a good background for the production along with a nice number of insights. The piece moves at a solid pace and keeps us involved, so it's a fine companion to the movie.

Another audio piece arrives via Bob Rafelson at the AFI. Recorded in 1976, this provides a 49-minute, 23-second Q&A session in which Rafelson discusses themes and his background, how Head came to be and writing its script, casting Bruce Dern in The King of Marvin Gardens, how BBS worked and Rafelson's functioning in Hollywood, and aspects of other film projects. Due to the nature of the Q&A, it tends to be somewhat disjointed; it flits from one film/subject to another, so it doesn't follow a concise line.

Nonetheless, it offers quite a few nice observations. The audience members manage to come up with thought-provoking queries and don't go off onto silly tangents. That means the chat turns into an interesting compilation of notes.

Soul Searching in Five Easy Pieces lasts nine minutes, eight seconds and includes statements from Rafelson and actor Jack Nicholson. We learn about the project’s origins and development, real-life influences for movie scenes, and the flick’s original ending. Unfortunately, we don’t get much from Nicholson; it’s good to see him, but he adds little. At least Rafelson fleshes situations out well and avoids repetition with the commentary. He makes this a valuable extra.

A documentary entitled BBStory fills 46 minutes, 35 seconds with notes from Rafelson, Nicholson, filmmakers Peter Bogdanovich, Fred Roos, Harry Gittes, and Henry Jaglom, film critic Richard Schickel, and actors Karen Black, Bruce Dern, Micky Dolenz, Timothy Bottoms, and Ellen Burstyn. “BBStory” covers the company’s origins and the creation of various films starting with 1968’s Head and finishing with 1972’s King of Marvin Gardens. “BBStory” offers a pretty nice little overview. It gives us a good series of anecdotes and creates an entertaining and informative take on its subject.

BBS: A Time for Change lasts 27 minutes, 38 seconds and offers statements from critic David Thomson and historian Douglas Brinkley. The show examines aspects of the era – both in terms of general society and the movie business - and the development of BBS as a film production company. Both men offer solid details and give us a useful overview of how BBS worked and what it meant to the era’s cinema.

Finally, we locate some ads. The disc includes two teasers and one trailer. We also get a booklet. This 12-page piece includes photos, credits and an essay from critic Kent Jones. It complements the set well.

(Note that all the extras on the 2015 Blu-ray also appeared on the 2010 release. The 2015 disc adds “A Time for Change”; it previously showed up on the Blu-ray for Head.)

Five Easy Pieces shows a different side of Jack Nicholson than the one best known to fans. It delivers a good character examination that delivers an involving experience. The Blu-ray offers fairly solid picture quality, average audio, and a consistently informative set of supplements. Fans who don’t already own the 2010 “Lost and Found” boxed set should snap up this strong release.

To rate this film visit the prior review of FIVE EASY PIECES

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