House appears in an aspect ratio of approximately 1.85:1 on this single-sided, single-layered DVD; the image has been enhanced for 16X9 televisions. Despite the filmís age and low-budget origins, this disc offered a surprisingly fine picture that displayed only a few concerns.
Sharpness generally seemed to be nicely crisp and detailed. During a few wider shots, I discerned a small amount of softness, but these instances were rare. As a whole, the image looked distinct and well-defined. A few modest moirť effects appeared, but I saw no signs of jagged edges. Print flaws were also rather minor. Some grain showed up in a few low-light situations, and a few instances of speckles and grit also cropped up from time to time, but as a whole, this was a nicely clean and fresh picture.
House featured a fairly subdued palette, but the filmís colors consistently seemed to be clear and accurate. The hues looked acceptably vivid and distinct, and they showed no signs of bleeding, noise or other issues. Black levels seemed to be pretty dense and dark, and shadow detail was clean and natural. Low-light situations may have displayed some grain, but otherwise they looked very good, as they appeared appropriately heavy but not excessively thick. Ultimately, House provided a much more positive visual experience than I expected.
The filmís monaural soundtrack also worked reasonably well for the material. Speech occasionally betrayed some edginess, but for the most part, dialogue sounded fairly natural and crisp, with no problems related to intelligibility. Effects were a bit thin at times, and they didnít pack much of a punch, but they came across as acceptably realistic and accurate, and they lacked any significant distortion. Music showed a little depth as it presented modest bass response at times, but it also seemed to be somewhat thin and flat. Ultimately, however, I felt that the mix displayed reasonable range for its era, so I found this to be a decent little mix.
Although Iíll never really gripe because a DVD didnít include a 5.1 remix, I must admit I was disappointed that House didnít receive this treatment. A creepy haunted house movie like this really would have benefited from the spooky ambience five channels can add. After all, literally the only reason The Haunting worked at all was because of its sublime sound design. House offered many opportunities for similar elements, so itís too bad the film didnít get the reworking.
House packs in a few supplements, and we start with an audio commentary from director Steve Miner, producer Sean S. Cunningham, writer Ethan Wiley and actor William Katt. All four men were recorded together for this running, screen-specific track. Usually that kind of mass meeting leads to a lively piece, but that wasnít the case with this fairly mediocre offering.
It appears that none of the participants has seen House in quite some time, and their lack of familiarity shows. Quite a few empty spots occur, which is unusual for a commentary with so many participants; normally the folks involved have to jockey for position, but this one ends up with a fair amount of dead air. When someone does speak, the remarks are often fairly interesting; they mention some good notes about low-budget filmmaking, and there are some fun stories from the set as well.
However, a lot of the track follows the participants as they get reacquainted with the movie, and it frequently seems as though they donít remember it very well. Oddly, they make some factual errors even though they should hear the correct information as they watch the flick; for example, they consistently refer to the aunt character as Rogerís grandmother. Ultimately, this was a sporadically interesting but generally flat and slow-paced commentary.
Next we find a 12-minute and five-second featurette called The Making of House. Created during the same era as the film, this clearly promotional piece offers lots of film clips plus some interview snippets and shots from the set. Due to its emphasis on advertising, itís a very fluffy and silly program, but it does manage to provide a few decent images of the filmís effects work. As such, it may merit a screening for devotees of those kinds of creations.
We also get a Still Gallery that includes 49 frames of material. These images show lobby cards, production shots, posters and other advertising pieces. Interestingly, one shot from House 2: The Second Story snuck its way into these pictures.
Lastly, we find two theatrical trailers. Essentially the second is just a shorter version of the first. These were interesting to see if just because they rather strongly emphasized the filmís terror elements; thereís virtually no indication that House would be any different from flicks like The Amityville Horror.
Of course, House was a somewhat different kind of scary movie, though I didnít think it was a successful one. The subject matter featured in the film seemed to be inappropriate for the light and campy treatment, and the pictureís participants couldnít help bring the material to a higher level. The DVD offers surprisingly strong picture and sound, and it also tosses in a few decent extras. Ultimately, I didnít like House much as a movie, but this was a nice DVD that should please the filmís fans.
Note: House originally came out on DVD in June 2001. At that time, it appeared solely as part of the limited edition package along with its sequel, 1987ís House 2: The Second Story. The DVD found here exactly duplicates that one found there, so you donít lose anything through the purchase of the solo disc.